The Kiss Klimt

The candy kiss Gustav Klimt The Kiss is a work that was pied by the Austrian artist, Gustav Klimt, between the years 1907 and 1908. Klimt utilizes his personal experiences and life changes as his inlet for the creation of perhaps his more or less famous work yet. He associate modernity and eroticism at the center(a) of his work, the couples coddle. This shroud is a quintessential expression of one of the deepest passions completen to worldly concernkind, sensual drive in. Klimts color choices, implement of depth, line, and balance, are all techniques that contribute to the message he is trying to convey.This couples respect radiates passion at its strongest, the love between humankind and woman, and the disconnect from reality they experience as they embrace. In order to under jut out the meaning behind The Kiss, one must know a little bit about the artists history. Klimt was born(p) on July 14, 1862 in Baumgarten near Vienna. He studied architectural paint at the Vie nna School of Arts and Crafts. By 1880, Klimt and his brother collaborated and began works together. As a result, they garnered the attention of many new clients. Eventually, Klimt embarked on his deliver career street and started his professional painting career.He began by painting indoor murals and ceilings in large public areas. In 1888, Klimt was even awarded for the murals he painted in Burg Theater. This particular mural showed the Golden Order of Orders from the empire of Franz Josef I of Austria. Klimts success and joy was quickly followed by wondrous grief when his brother and father tragically passed away, leaving him financially obligated for his family. As a result of this tragedy, Klimts art began to reflect the affliction and difficulty he was experiencing in his personal life.He continued on this path for a while, until he created The Kiss. Some say this painting was his magnum opus, his greatest work. company immediately fell in love with his work, and he qui ckly regained his success. In this work, Klimt illustrates two figures, one manly and one female. They are entangled in what seems to be a passionate embrace at the center of the work. Their love immediately becomes the focal point. Their gilded clothing beams as it pulls the looker deeper into the center of the painting, the very essence of work, the kiss itself.It quickly lets the viewer know that this is the principal(prenominal) focus of the painting. The entanglement of shapes initially blends the lovers bodies into one, exposing only their hands, feet, and types. However, when such(prenominal) closely examined, the viewer can see that there is a separation. Klimt uses rectangles and squares on the male figure, and more rounded and circular shapes on the female figure. So in kindle of the fact that the figures are intertwined, and almost seem as one, the variations of the geometric rectangles and the organic fertiliser flower pattern illustrates each figure as a infrac t entity.This juxtaposition between jagged and soft can also be viewed as a metaphorical representation of the contrast between the peckish nature of man versus the sensitive nature of woman. Their tight embrace understandably expresses sensuality and intimacy, the powerful connection that only lovers can experience. This power is intensify by Klimts use of color. Just as he juxtaposes tell jagged and soft shapes, he creates contrast by the juxtaposition of commonwealth tones and vibrant colorize against a golden background. Despite the array of colors and shapes that make up the majority of the painting, the focal point be distinct.As mentioned previously, their sensation radiates. The couples faces are essentially all that is needed to portray Klimts message. Their positions create an extra element of interest within the painting. The mans face is hidden, and only a quarter view is shown. This indicates a euphoric put up as he is lost in the obfuscation of love. The women s face, however, is in full view. Her expression reveals a sense of quietness and satisfaction. Her eyes are closed as she allows herself to enter into this euphoric state as well.Her cheeks are flushed, hinting a climactic moment in her embrace with her lover. Color and technique is another major aspect of The Kiss. In creating this painting, Klimt gained fervency from his travels to the Byzantine, the mosaics in Ravenna in particular. This inspiration is reflected in his use of gold and the parade of shapes. While the majority of the painting was done using golden hues (he uses echt gold leaf to achieve this affect), Klimt manages to apply all of the colors prerequisite to achieve intrigue and convey his message clearly.He uses vibrant colors much(prenominal) as blue, purple, and jet plane in the flowerbed. He strategically uses the gold by integrating it into the robes and vines that swathe over the figures and over the womans feet. He continues his theme of contrast and j uxtaposition in his use of complimentary colors. The green in the flowerbed contrasts with the red in the womans dress, make her dominate and stand out. This contrast is even shown in the skin tones of the figures. The man has an olive complexion and the woman has a peach complexion, making her stand out even more.An additional component is Klimts use of depth. He uses a variety of sizes among his shapes to emphasize the curves of the figures bodies. The flowerbed beneath the figures indicates Klimts use of perspective. He allows the line of grass to blur, giving the illusion of space. The Kiss remains unique, unlike most of Klimts other work. Unlike the portrayal of women as femme fatales in his other paintings, Klimt portrays the woman in The Kiss as the protagonist. This is illustrated through the full view of her face, as well as the color of her complexion.Since the male is painted in deeper hues, it gives him a more dominant role. This is also illustrated by the way he stands over the kneeling woman and how he pulls her face over towards him. As one of Klimts most famous paintings, The Kiss is arguably a perfect composition of shape, color, line, and scale. Unfortunately, I have not had the privilege of seeing The Kiss in person, yet I tranquilize felt the intensity and passion that is illustrated in the painting. I was originally gaunt to research this particular work because of its color and beauty.Only once I began to collapse the paintings individual attributes did I discover that it is so much more than just a beautiful painting. It is a representation of love, the most passionate emotion of all. What originally began as awe and reverence for the artist, became envy towards the lovers. It makes me long to experience passion and love as the couple does in Klimt work. His genius is evident in his technique, but more so, in his mightiness to evoke an emotional response in the viewer.