Redneck Recording Process

How do you record a nervous strain? Hmm, puff up thats easy. Its easy if you follow the three steps, of the cracker bonbon Recording Process. freshman we deflect or play what we feel like playing. Jamming is a actu eithery unstructured thing. Jamming usu in ally consists of playing the old guit-fiddle or (guitar by its normal name), having a good time, watching movies and talking condescend. Second we disc over the song we wrote and set up the Rednek Recording Studio (, Misspelled on purpose. ) And at long last well put it on to memorialize. Mix it, master it, and finally burn it to CD. This makes it easier to sell.So like a shot lets record brewage Drinkin-Hell Raisers to tape. The first step in the Redneck Recording Process is to jam out. My friend comes over and we just jumpstart playing. later astir(predicate) thirty minutes to an hour of playing and shop talk we usually take away a thumb (Musical Melody for the guitar) to be given reach of for the song. Most o f the time this will end up macrocosm the bridge or the chorus. After the riff is placed in the song. healthful start working out the other parts of the song. Because were both guitarists well examine out the other parts of the song later.After another cardinal to forty minutes we basically gravel the songs guitar parts and vocal melodies worked out. When smasher out the vocals, I usually like to Shoot from the hip. So Chris plays the riff while I start verbaliseing words. This part is usually lovely funny cause like Ozzy Osbourne I usually just sing random words. Sometimes it takes three hours other times it takes three days. After weve got the Melody, Ive usually got a basic idea were the lyrics atomic number 18 deprivation away. It usually takes me any(prenominal) time to drum down nigh lyrics that work for the song.Ok now that the guitars and vocals are worked out, well take the song to the bass player. He listens awhile to the song gives us some ideas, Then he mak es the bass lines for Brew Drinkin-Hell Raisers. Then the drummer does the same. After all the parts are finished. We will re-hearse BDHR until we confuse it down right. Brew Drinkin-Hell Raisers is now ready to be taken to Rednek Rekording Studio, or RRS for shortsighted to record it. Rednek Recording Studio is also known as a house. Just to let you know, this paragraph is filled with products and descriptions of them to futher your knowledge of recording.Ok, the song is firing on all cylinders, so lets set up the studio. prototypical we will get the gear we need, so well go to a lease company such as Rock & Roll Rentals. First off the mixing board, for this well use the Behringer MX2642A Euro rack to a Tascam DA-P1 DAT recorder. (DAT is short for Digital Audio Tape). Ok we now have the base of RRS, for the peace of mind of the Studio Equipment, Ill just explain the instrument, amp, and microphone used to capture their thinking(a). The round of drinks guitar is a Gibson Les Paul Custom running through a lee side Jackson XLA-1000 Amplifier dry.Dry is a term meaning no effect are added to the signal (sound) till after the recording. To record it we are exhalation to close mic or put the mic right next to the speaker footlocker so we get as little atmosphere as possible. The mic I chose is a Shure SM-57 to give it a nice flat sound which is easier to mix. Well get to the mixing later. For the Lead guitar were using another Gibson Les Paul Custom. The Paul is sledding dry into a Marshall JCM 800 to a close micd SM-57. So they depose hear whats going on with the rest of the band Ill deplumate up some monitors (speakers).Now we have the guitars done, so lets move to the stick and the bump of the ensemble. The drum set is Tama Star Classic Trap mend similar to the one used by Lars Ulrich of Metallica. To mic this were going to use quaternity mics. First one is for the snare, at once again were using a SM-57, male child those really seem to be popu lar. The second is for the Kick drum well attempt the AKG D112 microphone. The final two mics are the overheads, for these well employ the AKG C-418s. The Drums are now set up in a separate room with some head phones to hear the other band members.Lets move onto the bass Hes going to use an Ernie Ball Stingray bass to a Galien Krueger 2001RB micd by a once again a SM-57. Since the bass is in the same room as the guitars, he can hear whats going on. Last we just have to get the vocals. For this well set up in the shower with headphones and an AKG pipage (a vacuum Tube) mic for that tube warmth. Whew finally RRS is set up and ready to Rock. Well, we are cocked, locked and ready to rock Lets get started on recording. With all our mics, monitors, and headphones are drug-addicted up, were going to get a few practice takes in.After were all in the same groove, were going to lay it down for real. After about seven takes weve probably got the best were going to get. So we start mixing. Fir st the producer and the artists, who in this case are the same people, start listen to the takes. So I dont get bogged down in techno mumble-jumbo again, lets say we all nailed it on the same take. Now were going to mix it. Basically sound is a 3D ball that has to be assembled. Mixing assembles this ball by cutting and boosting frequencies, volume and adding effects. So BD-HR is now mixed perfectly, so were going to burn this onto a cd.So the song is now on tape and cd which will make it much more accessible for fans. We have been through the three very tedious yet enjoyable steps of the Redneck Recording Process. First I, told you about the jam session, which can entirely be described not explained. Secondly I gave you the set up of the RRS used to record the song. The third step recording the song. Sorry for the over technical second paragraph, but all of the tools are instrumental to devising the record sound right. So hopefully the process and point of this newspaper publish er got through. If It did, you know what the RRS is, and how to apply it to your own situation.